Artificial Intelligence - Who Is Hiroshi Ishiguro (1963–)?

  


Hiroshi Ishiguro is a well-known engineer who is most known for his life-like humanoid robots.

He thinks that the present information culture will eventually develop into a world populated by robot caregivers or helpmates.

Ishiguro also expects that studying artificial people would help us better understand how humans are conditioned to read and comprehend the actions and expressions of their own species.

Ishiguro seeks to explain concepts like relationship authenticity, autonomy, creativity, imitation, reciprocity, and robot ethics in terms of cognitive science.

Ishiguro's study aims to produce robots that are uncannily identical to humans in look and behavior.

He thinks that his robots will assist us in comprehending what it is to be human.

Sonzaikan is the Japanese name for this sense of a human's substantial presence, or spirit.

Success, according to Ishiguro, may be measured and evaluated in two ways.

The first is what he refers to as the complete Turing Test, in which an android passes if 70% of human spectators are unaware that they are seeing a robot until at least two seconds have passed.

The second metric for success, he claims, is the length of time a human stays actively engaged with a robot before discovering that the robot's cooperative eye tracking does not reflect true thinking.

Robovie was one of Ishiguro's earliest robots, launched in 2000.

Ishiguro intended to make a robot that didn't appear like a machine or a pet, but might be mistaken for a friend in everyday life.

Robovie may not seem to be human, but it can perform a variety of innovative human-like motions and interactive activities.

Eye contact, staring at items, pointing at things, nodding, swinging and folding arms, shaking hands, and saying hello and goodbye are all possible with Robovie.

Robo Doll was extensively featured in Japanese media, and Ishiguro was persuaded that the robot's look, engagement, and conversation were vital to deeper, more nuanced connections between robots and humans.

In 2003, Ishiguro debuted Actroid to the general public for the first time.

Sanrio's Kokoro animatronics division has begun manufacturing Actroid, an autonomous robot controlled by AI software developed at Osaka University's Intelligent Robotics Laboratory.

Actroid has a feminine look (in science fiction terms, a "gynoid") with skin constructed of incredibly realistic silicone.

Internal sensors and quiet air actuators at 47 points of physical articulation allow the robot to replicate human movement, breathing, and blinking, and it can even speak.

Movement is done by sensor processing, data files carrying key val ues for degrees of freedom in movement of limbs and joints.

Five to seven degrees of freedom are typical for robot arms.

Arms, legs, torso, and neck of humanoid robots may have thirty or more degrees of freedom.

Programmers create Actroid scenarios in four steps: (1) collect recognition data from sensors activated by contact, (2) choose a motion module, (3) execute a specified series of movements and play an audio file, and (4) return to step 1.

Experiments utilizing irregular random or contingent reactions to human context hints have been shown to be helpful in holding the human subject's attention, but they are made much more effective when planned scenarios are included.

Motion modules are written in XML, a text-based markup language that is simple enough for even inexperienced programmers to understand.

Ishiguro debuted Repliee variants of the Actroid in 2005, which were supposed to be indistinguishable from a human female on first glance.

Repliee Q1Expo is an android replica of Ayako Fujii, a genuine Japanese newscaster.

Repliee androids are interactive; they can use voice recognition software to comprehend human conversations, answer verbally, maintain eye contact, and react quickly to human touch.

This is made possible by a sensor network made up of infrared motion detectors, cameras, microphones, identification tag readers, and floor sensors that is distributed and ubiquitous.

Artificial intelligence is used by the robot to assess whether the human is contacting the robot gently or aggressively.

Ishiguro also debuted Repliee R1, a kid version of the robot that looks identical to his then four-year-old daughter.

Actroids have recently been proven to be capable of imitating human limb and joint movement by observing and duplicating the movements.

Because much of the computer gear that runs the artificial intelligence program is external to the robot, it is not capable of actual movement.

Self-reports of human volunteers' sentiments and moods are captured when robots perform activities in research done at Ishiguro's lab.

The Actroid elicits a wide spectrum of emotions, from curiosity to disgust, acceptance to terror.

Ishiguro's research colleagues have also benefited from real-time neuroimaging of human volunteers in order to better understand how human brains are stimulated in human-android interactions.

As a result, Actroid serves as a testbed for determining why particular nonhuman agent acts fail to elicit the required cognitive reactions in humans.

The Geminoid robots were created in response to the fact that artificial intelligence lags far behind robotics when it comes to developing realistic interactions between humans and androids.

Ishiguro, in particular, admitted that it would be several years before a computer could have a lengthy, intensive spoken discussion with a person.

The Geminoid HI-1, which debuted in 2006, is a teleoperated (rather than totally autonomous) robot that looks similar to Ishiguro.

The name "gemininoid" is derived from the Latin word "twin." Hand fidgeting, blinking, and motions similar with human respiration are all possible for Geminoid.

Motion-capture technology is used to operate the android, which mimics Ishiguro's face and body motions.

The robot can imitate its creator's voice and communicate in a human-like manner.

Ishiguro plans to utilize the robot to teach students through remote telepresence one day.

When he is teleoperating the robot, he has observed that the sensation of immersion is so strong that his brain is fooled into producing phantom perceptions of actual contact when the android is poked.

The Geminoid-DK is a mechanical doppelgänger of Danish psychology professor Henrik Schärfe, launched in 2011.

While some viewers find the Geminoid's look unsettling, many others do not and simply communicate with the robot in a normal way.

In 2010, the Telenoid R1 was introduced as a teleoperated android robot.

Telenoid is 30 inches tall and amorphous, with just a passing resemblance to a human form.

The robot's objective is to transmit a human voice and gestures to a spectator who may use it as a communication or videoconferencing tool.

The Telenoid, like the other robots in Ishiguro's lab, looks to be alive: it simulates breathing and speech gestures and blinks.

However, in order to stimulate creativity, the design limits the amount of features.

In this manner, the Telenoid is analogous to a tangible, real-world avatar.

Its goal is to make more intimate, human-like interactions possible using telecommunications technology.

Ishiguro suggests that the robot might one day serve as a suitable stand-in for a teacher or partner who is otherwise only accessible from afar.

The Elfoid, a tiny version of the robot, can be grasped with one hand and carried in a pocket.

The autonomous persocom dolls that replace smart phones and other electronics in the immensely famous manga series Chobits foreshadowed the Actroid and Telenoid.

Ishiguro is a professor of systems innovation and the director of Osaka University's Intelligent Robotics Laboratory.

He's also a group leader at Kansai Science City's Advanced Telecommunications Research Institute (ATR) and a cofounder of the tech-transfer startup Vstone Ltd.

He thinks that future commercial enterprises will profit from the success of teleoperated robots in order to fund the continued development of his autonomous robots.

Erica, a humanoid robot that became a Japanese television news presenter in 2018, is his most recent creation.

Ishiguro studied oil painting extensively as a young man, pondering how to depict human resemblance on canvas while he worked.

In Hanao Mori's computer science lab at Yamanashi University, he got enthralled with robots.

At Osaka University, Ishiguro pursued his PhD in engineering under computer vision and image recognition pioneer Saburo Tsuji.

At studies done in Tsuji’s lab, he worked on mobile robots capable of SLAM— simultaneous mapping and navigation using panoramic and omni-directional video cameras.

This work led to his doctoral dissertation, which focused on tracking a human subject using active camera control and panning to acquire complete 360-degree views of the surroundings.

Ishiguro believed that his technology and applications may be utilized to provide a meaningful internal map of an interacting robot's surroundings.

His dissertation was rejected by the first reviewer of an article based on it.

Fine arts and technology, according to Ishiguro, are inexorably linked; art inspires new technologies, while technology enables for the creation and duplication of art.

Ishiguro has recently brought his robots to Seinendan, a theatre company founded by Oriza Hirata, in order to put what he's learned about human-robot communication into practice.

Ishiguro's field of cognitive science and AI, which he calls android science, has precedents in Disneyland's "Great Moments with Mr.

Lincoln" robotics animation show and the fictitious robot replacements described in the Bruce Willis film Surrogates (2009).

In the Willis film, Ishiguro has a cameo appearance.



Jai Krishna Ponnappan


You may also want to read more about Artificial Intelligence here.



See also: 


Caregiver Robots; Nonhuman Rights and Personhood.



Further Reading:



Guizzo, Erico. 2010. “The Man Who Made a Copy of Himself.” IEEE Spectrum 47, no. 4 (April): 44–56.

Ishiguro, Hiroshi, and Fabio Dalla Libera, eds. 2018. Geminoid Studies: Science and Technologies for Humanlike Teleoperated Androids. New York: Springer.

Ishiguro, Hiroshi, and Shuichi Nishio. 2007. “Building Artificial Humans to Understand Humans.” Journal of Artificial Organs 10, no. 3: 133–42.

Ishiguro, Hiroshi, Tetsuo Ono, Michita Imai, Takeshi Maeda, Takayuki Kanda, and Ryohei Nakatsu. 2001. “Robovie: An Interactive Humanoid Robot.” International Journal of Industrial Robotics 28, no. 6: 498–503.

Kahn, Peter H., Jr., Hiroshi Ishiguro, Batya Friedman, Takayuki Kanda, Nathan G. Freier, Rachel L. Severson, and Jessica Miller. 2007. “What Is a Human? Toward Psychological Benchmarks in the Field of Human–Robot Interaction.” Interaction Studies 8, no. 3: 363–90.

MacDorman, Karl F., and Hiroshi Ishiguro. 2006. “The Uncanny Advantage of Using Androids in Cognitive and Social Science Research.” Interaction Studies 7, no. 3: 297–337.

Nishio, Shuichi, Hiroshi Ishiguro, and Norihiro Hagita. 2007a. “Can a Teleoperated Android Represent Personal Presence? A Case Study with Children.” Psychologia 50: 330–42.

Nishio, Shuichi, Hiroshi Ishiguro, and Norihiro Hagita. 2007b. “Geminoid: Teleoperated Android of an Existing Person.” In Humanoid Robots: New Developments, edited by Armando Carlos de Pina Filho, 343–52. Vienna, Austria: I-Tech.






Analog Space Missions: Earth-Bound Training for Cosmic Exploration

What are Analog Space Missions? Analog space missions are a unique approach to space exploration, involving the simulation of extraterrestri...